Dr Anadi Sahoo🇮🇳’s Post

MANJODAYA HOUSE BANGALORE, INDIA Architects: Ecumene Habitat Solutions Photographs:Atik Bheda - Located in Electronic City, Bengaluru, the homes belonging to two brothers are set in a context that is fast changing from a rural to urban character. The choreography and architecture of this building set amidst a lush native landscape reflect the ethos of their lives. Choreography Of Spaces - Upon entering the plot, a picturesque pergola frames the residence capturing the essence and summary of the design. All materials used in the building are portrayed at this point. Lined by green on either side, the pergola uses clay jali walls and metal beams, with a provision for creepers. The entrance path leads to a large lawn in the center of the plot ringed by the two homes and a clubhouse building that houses the common parking area and the fitness center. The path is uniquely detailed using a combination of the locally available Sadarahalli granite and grass pavers. The grass pavers enhance the water permeability of the ground. With the homes framed in one view, the jali work becomes prominent and one can see the two different patterns of terracotta blocks used here. The camp jali is combined with a four-petal design, creating an interesting interplay of light and shade. The two houses are similar yet distinct in terms of their experience. The home in the South East is horizontal and flatter compared with the home in the South West which has tall volumes. The second building has a double-height car porch with a roof garden overlooking the view. This roof garden is lined with plants and a lawn at the center, having a skylight feature right above it. Black lapaturo granite finish is used as flooring thereby highlighting the car porch. Collected by: www.archdaily.com

Facade Behaviourology - Comparative study on facade edge conditions of Hawa Mahal and Patwaon ki Haveli The first impression that we all create in our minds on any building or a structure is based on its façade, which is usually the elevation of the building that adds a certain amount of character and personality to it. In this paper, we look at two of the most intricately designed facades of Rajasthan, Hawa Mahal and Patwaon ki Haveli, to study both of these facades in terms of certain parameters and derive a comparative analysis of the similarities and differences we conclude in them. The facades although look exactly similar to each other may have different edge conditions to them. Click on the link to read more: https://lnkd.in/gmdjxhAV #facadedesign #facade #architecture #rajasthan

The #UdayagiriCaves in Madhya Pradesh, India, are renowned for their remarkable #rockcutarchitecture. These caves were carved out of the sandstone hillside during the Gupta period, which was a significant era for Indian art, culture, and architecture. The rock-cut architecture at Udayagiri reflects the artistic prowess and engineering skills of the ancient craftsmen. Key features of the rock-cut architecture at Udayagiri Caves: 1. **Carved from Solid Rock**: The Udayagiri Caves are entirely excavated from solid sandstone cliffs. The rock-cut technique involved removing the rock material to create interior spaces for various purposes. 2. **Monastic Complex**: The rock-cut architecture at Udayagiri includes both chaityas (prayer halls) and viharas (monastic cells). The chaityas are large halls with a stupa at the center, while the viharas are small cells for residential use by Buddhist monks. 3. **Chaityas (Prayer Halls)**: The chaityas are impressive rock-cut halls with high ceilings and intricately carved columns. The stupa, a symbolic representation of the Buddha, is the focal point of worship in these halls. The chaityas exhibit excellent craftsmanship with exquisite sculptural details. 4. **Viharas (Residential Quarters)**: The viharas are carved into the rock walls and are usually smaller than the chaityas. Each vihara typically consists of a small cell with an entrance, providing a secluded and contemplative living space for individual monks. 5. **Column Capitals and Sculptures**: The rock-cut columns of the chaityas and viharas are adorned with elaborately carved capitals featuring animal and floral motifs. The sculptures on the walls and pillars depict various Buddhist deities, Bodhisattvas, and scenes from the life of the Buddha. 6. **Precision and Symmetry**: The rock-cut architecture at Udayagiri demonstrates a high degree of precision and symmetry in its execution. The skilled craftsmen ensured that the interiors were well-proportioned and aesthetically pleasing. 7. **Integration with Nature**: The caves were carefully designed to integrate with the natural landscape. The entrances and facades of the caves harmonize with the contours of the surrounding hills. 8. **Cave Layout**: The caves are organized in such a way that they form a monastic complex, with courtyards, pathways, and interconnected cave chambers. The rock-cut architecture of the Udayagiri Caves showcases the ingenuity and artistic excellence of ancient Indian craftsmen. The site stands as a testimony to the architectural brilliance of the Gupta period and continues to be an important archaeological and historical attraction, drawing visitors from all around the world to admire and appreciate its unique beauty and historical significance. --------------- Asia’s Largest-International Literature Festival (Unmesh ) organized by Ministry of Culture and Sahitya Academy: International Literature Festival, 03 August 2023 to 06 August 2023 Bhopal, Madhya Pradesh.

Is architecture Indian because of its visible construction techniques and material palette or is its identity found in phenomenology and meaning? Contemporary Indian architecture straddles the country’s complicated past and the multiplicity of its future. The subcontinent's history dictates that its architecture be a direct response to its context and climate. The future demands a built form that meets the needs of privatized living, globalized lifestyles, and technological advancement. - Contemporary Indian design culture can aptly be described with one word - fusion. - As Indians and Indian architecture carve the country's place in the world, a new design trend flourishes - one that is driven by modern lifestyles, international influences, a colonial past, and a desire to stay connected to its roots. - Indian design can best be described as a melting pot of global practices used in conjunction with a design language that is rooted in local heritage. - Today, the market for Indian architecture is following a tendency of “Indianization”, where regional design elements are being favored for their aesthetics rather than their contextual functionality. Indian architecture and interior design have been reduced to an impetuous combination of patterns, materials, and design elements that create an outward image of being locally rooted. - “Indianization” is also an outcome of market demands and vanishing crafts. Following Indo-Western ideals in design, modernized crafts are increasingly employed to replicate trending images. “Design has become less focused on the principles behind using local materials and crafts. We are now imposing Indian elements to fit into a traditionally-contemporary idea of architecture” shares Bangalore-based architect Shinas Shabaz.  - Aesthetically, Indian architecture is maximalist. Inspired by nature, spirituality, and the joy of human experience, Indian aesthetics are loud, colorful, and chaotically-ordered. So, what do you think do any of these qualify the definition of Indian Architecture or all of these aspects give identity to Indian #Architecture or we are still in search of true nature of #indianarchitecture ? https://lnkd.in/dS4sgSdY?

What is the Kalinga style of architecture? The Kalinga style of architecture is a style of architecture that developed in the eastern Indian state of Odisha, which was historically known as Kalinga. This architectural style is characterized by its unique features such as the use of stone, intricate carvings, and elaborate decoration. The Kalinga style of architecture can be seen in many ancient temples and monuments in Odisha, including the Jagannath Temple in Puri, the Lingaraj Temple in Bhubaneswar, and the Konark Sun Temple. The style is also known for its use of finely carved stone sculptures, which often depict scenes from Hindu mythology and legends. One of the defining features of the Kalinga style of architecture is the use of the pidha deul or the stepped pyramid structure. This structure consists of a series of gradually receding tiers, each of which is decorated with intricate carvings and sculptures. Another distinctive feature of the Kalinga style is the use of the chaitya arch, which is an arched gateway that leads to the temple. These arches are often decorated with elaborate carvings of deities and other mythological figures. The Kalinga style of architecture is known for its grandeur and intricacy, and it is considered to be one of the most important architectural styles in India. The style has had a significant influence on the development of temple architecture in other parts of India and has helped to shape the country's rich cultural heritage.