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Sony NEXVG900 Full Frame Interchangeable Lens Camcorder Video Camera with 3-Inch LCD(Black)

2.9 2.9 out of 5 stars 12 ratings

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Purchase options and add-ons

Brand Sony
Connectivity Technology HDMI
Flash Memory Type SD
Color Black
Special Feature Low Light
Screen Size 3 Inches
Camcorder type Video Camera
Model Name NEXVG900
Included Components Wind Screen, Warranty, Rechargeable Battery Pack (NP-FV70), Component A/V Cable, Remote Commander (RMT-835), Body Cap, Large Eye Cup, A/V Connecting Cable, USB Cable, A-Mount Adaptor (LA-EA3), Operating Guide, Power Cord, Sony NEX-VG900 Full-Frame Interchangeable Lens Camcorder, CD-ROM (Handycam Application Software), AC Adaptor See more
Video Capture Resolution 1080p

About this item

  • World’s first 24.3MP Exmor full frameHD CMOS Sensor Camcorder
  • Uncompressed Full 1080 HDMI output in 24p/60p/60i
  • Includes LA-EA3 lens adaptor for full frame A-mount lens compatibility
  • High contrast XGA OLED Tru-Finder EVF w/ eye sensor
  • Quad Capsule Spatial Array Surround (5.1) microphone

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Sony NEXVG900 Full Frame Interchangeable Lens Camcorder Video Camera with 3-Inch LCD(Black) (Renewed) $2,624.95 & FREE Shipping
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What's in the box

  • Sony NEX-VG900 Full-Frame Interchangeable Lens Camcorder
  • Rechargeable Battery Pack (NP-FV70)
  • AC Adaptor
  • Power Cord
  • Component A/V Cable
  • A/V Connecting Cable
  • USB Cable
  • Body Cap
  • A-Mount Adaptor (LA-EA3)
  • Wind Screen
  • Large Eye Cup
  • Remote Commander (RMT-835)
  • CD-ROM (Handycam Application Software)
  • Operating Guide
  • Warranty
  • Product information

    Warranty & Support

    Product Warranty: For warranty information about this product, please click here

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    Sony NEXVG900 Full Frame Interchangeable Lens Camcorder Video Camera with 3-Inch LCD(Black)

    Sony NEXVG900 Full Frame Interchangeable Lens Camcorder Video Camera with 3-Inch LCD(Black)


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    Product Description

    Product Description

    Sony®NEX-VG900 is a world’s first 24.3MP Exmor™ full frameHD CMOS Sensor Interchangeable Lens Camcorder with an uncompressed Full 1080 HDMI® output in 24p/60p/60i. Includes LA-EA3 lens adaptor for full frame A-mount lens and a high contrast XGA OLED Tru-Finder™ EVF w/ eye sensor. In addition to a Quad Capsule Spatial Array Surround (5.1) microphone and direct Iris/Gain/Shutter, zoom and Peaking manual buttons. For a more in-depth look, check out the Sony® Interchangeable Lens Camcorder comparison chart.

    From the Manufacturer

    A+ <!-- .body2 { font: 100%/1.4 Arial, Helvetica, sans-serif; font-size:12px; background: #42413C; margin: 0; padding: 0; color: #000; background-color: #FFFFFF; } /* ~~ this fixed width container surrounds all other elements ~~ */ .container2 { width: 960px; margin: 0 auto; /* the auto value on the sides, coupled with the width, centers the layout */ } /* ~~ This is the layout information. ~~ 1) Padding is only placed on the top and/or bottom of the div. The elements within this div have padding on their sides. This saves you from any "box model math". Keep in mind, if you add any side padding or border to the div itself, it will be added to the width you define to create the *total* width. You may also choose to remove the padding on the element in the div and place a second div within it with no width and the padding necessary for your design. */ .content2 { padding: 10px 0; } /* ~~ miscellaneous float/clear classes ~~ */ .fltrt { /* this class can be used to float an element right in your page. The floated element must precede the element it should be next to on the page. */ float: right; margin-left: 0px; } .fltlft { /* this class can be used to float an element left in your page. The floated element must precede the element it should be next to on the page. */ float: left; margin-right: 0px; } .clearfloat { /* this class can be placed on a ;gt; or empty div as the final element following the last floated div (within the #container) if the overflow:hidden on the .container is removed */ clear:both; height:0; font-size: 1px; line-height: 0px; } -->

    Get closer to perfection

    Introducing the NEX-VG900 Full Frame Sensor Interchangeable Lens Handycam® Camcorder

    Impressive film-like recording with breathtaking quality from its 24.3MP Exmor™
    full frame HD CMOS sensor . Realizing supreme imaging quality and generous
    creative options, Sony’s NEX-VG900 is the first Handycam camcorder with a
    35mm sensor to fully exploit the artistic potential of interchangeable lenses.
    24.3MP 35mm Full Frame Sensor. Full Frame Advantage. Uncompressed HDMI Output
    A whole new world of high-quality images are realized through the 24.3MP effective 35mm full-frame sensor, a normal sensor range of ISO 100 – 32000, and a sophisticated balance of high resolving power, gradation and low noise. The NEX-VG900 includes the LA-EA3 adaptor to mount any A-mount lens with the full-frame sensor advantage. Capture the full angle of view as well as allowing manual focus to be used for cinematic follow focus effects. When using E-mount or A-mount DT lenses, the NEX-VG900 automatically switches to APS-C mode. Easily record Full 1080 HD uncompressed clean-screen video files to external recording devices via an HDMI connection in 24p, 60p and 60i frame-rates.

    Key features
    Full-frame A-mount lens adaptor The camcorder comes supplied with the LA-EA3 adaptor that lets photographers use full-frame A-mount lenses at their designated focal length. Quad Capsule Spatial Array Stereo Microphone High quality video requires high quality audio. The Quad Capsule Spatial Array stereo microphone contains four precision placed microphone capsules that are perfectly angled at 45 degrees to provide exceptional front-side directivity and stereo separation. XGA OLED Tru-Finder w/ eye sensor There’s never been anything quite like the Tru-Finder™ OLED electronic viewfinder. It begins with 2359K dots for amazing resolution and high contrast ratio for incredible depth. OLED reduces motion blur to a bare minimum. You can also see the results of camera adjustments in real time with superb color and detail.
    Full feature list

    24.3MP 35mm Full Frame Sensor
    action camcorder

    A whole new world of high-quality images are realized through the 24.3MP effective 35mm full-frame sensor, a normal sensor range of ISO 100 – 32000, and a sophisticated balance of high resolving power, gradation and low noise.

    Uncompressed HDMI Output
    Easily record Full 1080 HD uncompressed clean-screen video files to external recording devices via an HDMI connection in 24p, 60p and 60i frame-rates.

    Full Frame Advantage
    The NEX-VG900 includes the LA-EA3 adaptor to mount any A-mount lens with the full-frame sensor advantage. Capture the full angle of view as well as allowing manual focus to be used for cinematic follow focus effects. When using E-mount or A-mount DT lenses, the NEX-VG900 automatically switches to APS-C mode.

    Vegas® Movie Studio HD Platinum 12
    Included free of charge via download, Sony Vegas® Movie Studio HD Platinum 12 allows you to easily add video effects, background music, titles, text, transitions, and much more. Everything you need to create dramatic HD movies like a pro. Share your creations via DVD, Blu-ray Disc™ media, or upload to the web – all from one easy to use program.


    XGA OLED Tru-Finder w/ eye sensor
    There’s never been anything quite like the Tru-Finder™ OLED electronic viewfinder. For size, speed and brightness even after sunset, this is a gem. It begins with 2359K dots for amazing resolution and high contrast ratio for incredible depth. OLED reduces motion blur to a bare minimum. You can also see the results of camera adjustments in real time with superb color and detail..

    Quad Capsule Spatial Array Stereo Microphone
    High quality video requires high quality audio. The Quad Capsule Spatial Array stereo microphone contains four precision placed microphone capsules that are perfectly angled at 45 degrees to provide exceptional front-side directivity and stereo separation.

    Comprehensive Manual Control
    Take full control over Iris, Gain and Shutter via easily accessible buttons on the side of your camera. With full manual control you will be able to adapt to almost any lighting condition to get the best shot.


    © September 2012 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony, Exmor, SteadyShot, Memory Stick Micro, PlayMemories Mobile and the Sony make.believe logo are trademarks of Sony. HDMI is a trademark of HDMI Licensing LLC. Mac is a trademark of Apple Inc., registered in the U.S. and other countries. All other trademarks are trademarks of their respective owners. Features and specifications subject to change without notice.


    Read about our customers' top-rated camcorders on our review page: Camcorders

    Customer reviews

    2.9 out of 5 stars
    2.9 out of 5
    12 global ratings

    Customers say

    Customers have mixed opinions about the image quality of the camcorder. Some say it produces good quality images, while others say it has poor image quality.

    AI-generated from the text of customer reviews

    6 customers mention4 positive2 negative

    Customers are mixed about the image quality of the camcorder. Some mention that the photos come out great, while others say that the image is not sharp and not true 1080p sharpness.

    "...while you are filming. This unit looks nice and it's nice,but if you are looking for a regular family one, it is not..." Read more

    "...tool that would blow all DSLRs out of the water: That gorgeous full-frame sensor and the e-mount which allows the use of virtually any 35mm lens..." Read more

    "...'s the best light weight full frame handycam you will find that takes great photos too." Read more

    "Very good image quality in daylight...." Read more

    4 customers mention2 positive2 negative

    Customers have mixed opinions about the quality of the camcorder. Some find it wonderful and frustrating at the same time, while others say it has bad moire and aliasing artifacts.

    "...while you are filming. This unit looks nice and it's nice,but if you are looking for a regular family one, it is not..." Read more

    "It's not a fully professional system but it's the best light weight full frame handycam you will find that takes great photos too." Read more

    "This camera is wonderful and frustrating at the same time...." Read more

    "...Worst of all, there are bad moire and aliasing artifacts...." Read more

    First full-frame that works with most FF & APS-C lenses !
    5 Stars
    First full-frame that works with most FF & APS-C lenses !
    With low cost adapters the VG900 should work with most full-frame and APS-C lenses out there. It also has settings to work in FF or 1.5x crop APS-C mode. It shoots FF 6000x4000 24mp Raw stills with shutter speeds from 30-1/8000 sec in auto or manual modes. It shoots 1080p60 ,1080p24 or 1080i60 with full manual control and uncompressed full 1080p HDMI output like the A99 and no other FF DSLR shoots 1080p60. It has the same 2359K dot XGA OLED Tru-Finder w/ eye sensor like the A99 and NEX-7 but has adjustable angle. It has a huge battery bay for using extra large Sony NP-FV100 3900mAh battery that are low cost from 3rd party vendors.Update July 5 2013 : After using my VG900 for 8 months it sure beats using a DSLR for shooting full frame video since the adjustable angle OLED EVF is light years better than any OVF when shooting 1080p60 HD video. My 24mm F1.4, 35mm F1.4, 50mm F1.4 and 85mm F1.4 full frame primes work best with it. The Sony HVL-F60M External Flash works perfect for full frame stills with it and with built-in LEDs it also works great in video mode.
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    Top reviews from the United States

    Reviewed in the United States on August 4, 2014
    Didn't even get to see how good the video is because the touch screen on the viewfinder was crap so I returned for refund. I don't understand why Sony has such great PRO cameras and then turn out such mediocre prosumer cameras.
    2 people found this helpful
    Report
    Reviewed in the United States on September 27, 2012
    With low cost adapters the VG900 should work with most full-frame and APS-C lenses out there. It also has settings to work in FF or 1.5x crop APS-C mode. It shoots FF 6000x4000 24mp Raw stills with shutter speeds from 30-1/8000 sec in auto or manual modes. It shoots 1080p60 ,1080p24 or 1080i60 with full manual control and uncompressed full 1080p HDMI output like the A99 and no other FF DSLR shoots 1080p60. It has the same 2359K dot XGA OLED Tru-Finder w/ eye sensor like the A99 and NEX-7 but has adjustable angle. It has a huge battery bay for using extra large Sony NP-FV100 3900mAh battery that are low cost from 3rd party vendors.

    Update July 5 2013 : After using my VG900 for 8 months it sure beats using a DSLR for shooting full frame video since the adjustable angle OLED EVF is light years better than any OVF when shooting 1080p60 HD video. My 24mm F1.4, 35mm F1.4, 50mm F1.4 and 85mm F1.4 full frame primes work best with it. The Sony HVL-F60M External Flash works perfect for full frame stills with it and with built-in LEDs it also works great in video mode.
    Customer image
    5.0 out of 5 stars First full-frame that works with most FF & APS-C lenses !
    Reviewed in the United States on September 27, 2012
    With low cost adapters the VG900 should work with most full-frame and APS-C lenses out there. It also has settings to work in FF or 1.5x crop APS-C mode. It shoots FF 6000x4000 24mp Raw stills with shutter speeds from 30-1/8000 sec in auto or manual modes. It shoots 1080p60 ,1080p24 or 1080i60 with full manual control and uncompressed full 1080p HDMI output like the A99 and no other FF DSLR shoots 1080p60. It has the same 2359K dot XGA OLED Tru-Finder w/ eye sensor like the A99 and NEX-7 but has adjustable angle. It has a huge battery bay for using extra large Sony NP-FV100 3900mAh battery that are low cost from 3rd party vendors.

    Update July 5 2013 : After using my VG900 for 8 months it sure beats using a DSLR for shooting full frame video since the adjustable angle OLED EVF is light years better than any OVF when shooting 1080p60 HD video. My 24mm F1.4, 35mm F1.4, 50mm F1.4 and 85mm F1.4 full frame primes work best with it. The Sony HVL-F60M External Flash works perfect for full frame stills with it and with built-in LEDs it also works great in video mode.
    Images in this review
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    15 people found this helpful
    Report
    Reviewed in the United States on May 20, 2013
    Because of the size and style of this little beauty,
    anyone could believe that it's a regular family video
    unit. It is not, because this one won't be focusing and
    changing in an automatic and permanent way the subject
    while you are filming. This unit looks nice and it's nice,
    but if you are looking for a regular family one, it is not
    for you and it is very expensive. And there is a reason:
    Quality, unless you want that in your videos. But watch it,
    it won't be changing focus automatically and following your
    subject. Beside, when you buy it you just get the body and
    then you have to pay for the lens which are almost the same,
    if you want a good image. This one with the sony's lens will be
    only following and focusing, if you use it like a regular photo
    camera. This video unit is like a pro Video Camera: First
    you have to go all the way in zooming, focus the subject,
    and then film. If you don't have the experience just forget
    it, because it will simply go OUT OF FOCUS. I think that
    this video camera is very nice, but only for people who
    knows what is doing.
    4 people found this helpful
    Report
    Reviewed in the United States on July 24, 2013
    This camera is wonderful and frustrating at the same time. It's the first and only dedicated full frame interchangable lens camcorder with a NEX e mount that can accept virtually any lens (via adapters), from Sony A mount to Canon, Nikon and even Leica M lenses. I wanted to dive in and immerse myself in all the full frame glory. But I can't fully do that and I'll explain why.

    First, why this camcorder COULD be an amazing game-changing tool that would blow all DSLRs out of the water: That gorgeous full-frame sensor and the e-mount which allows the use of virtually any 35mm lens ever made, including not only any SLR lens in existence but even Leica rangefinder lenses, all in a dedicated video form factor with unlimited recording time that doesn't require a ton of rigging and add-ons just to make it work. Good low-light performance? Check. High dynamic range? Check. The ability to achieve razor-thin depth of field, lovely bokeh and precise subject isolation? Absolutely yes. It even has focus peaking and zebra, total manual exposure control and both auto-gain and auto-shutter speed options.

    All this would be so revolutionary if Sony had not implemented the camera with such a half-baked feature set. For instance, you can only control brightness; you cannot control contrast, saturation, or sharpness in any way. There is no way to set exposure compensation +/- when shooting in auto exposure mode. You have to go to manual exposure to change brightness from the default, and then if light conditions change you have to continually compensate. There are no "scene files", preset or otherwise, to set the "look" of the footage--it doesn't even offer the basic "creative styles" found in much cheaper Sony NEX cameras such as portrait and landscape (except for some gimmicky "Picture Effects" like Toy Camera and Posterization).

    The Sony A7, on the other hand, which has the same sensor and same E mount, has 13 Creative Styles and you can set contrast, saturation, and sharpness in every one. The A7 also allows you to set exposure compensation +/- in P, A, & S modes... and even in Manual mode, when Auto ISO is enabled. The Sony A99 camera does the same. I don't understand why the NEXVG900 has a much weaker feature set for shooting video than Sony's equivalent still photography cameras. That's totally backward!

    The AVCHD codec is not a professional quality compression codec. It's only 24 mb/sec which is less than broadcast standard and does not hold up well to grading in post, especially if you didn't nail the exposure exactly right when you shot the footage. Panasonic and Canon have already moved away from AVCHD and into the more solid h.264 MOV codec for their DSLRs but Sony remains in the past with this highly compressed consumer grade codec on what is supposed to be a semi-professional video camera. Although it's way less convenient than simply recording in-camera, you could solve many of these issues by recording uncompressed footage to an external recorder, and do all the adjustments in post. But what a pain and expense.

    Still, I could live with these issues, if not for the one thing that prevents this camera from shooting high-quality film-like footage, and that's the image quality. The default image coming out of the NEXVG900 is soft. Similar to the Canon 5D Mark II, it's not true 1080p sharpness like the Panasonic GH2/GH3 or even a typical run-of-the-mill 1080 camcorder. It looks like it was up-rezzed from a lower resolution.

    Worst of all, there are bad moire and aliasing artifacts. Any object with repeating horizontal lines or patterns suffers from that distracting shimmering effect known as moire, and angled straight lines have the "jaggies" known as aliasing. These artifacts make what is otherwise gorgeous, rich full-frame film-like image quality into an obvious cheap home video look. It looks like 720 video increased to 1080 with a bad algorithm. Moreover, when you use the camcorder in APS-C "crop mode", the moire and aliasing get even worse. This is because the APS-C mode is not even a separate dedicated video mode; it's merely the same full frame output that has simply been been cropped and enlarged, and like a digital zoom, it's ugly. The APS-C mode footage isn't even as good as video from Sony's NEX cameras. To get anything acceptable out of this camera you need to use it in full-frame and then the catch is that you lose continuous auto-focus. That's right: even with the included Sony A mount adapter and a "supported" Sony A mount lens, there is no continuous auto-focus when shooting in the full-frame mode.

    The technical reason for the unprofessional image is called line-skipping. That means that the camcorder is not even sampling all of the pixels in the 6000x4000 sensor when shooting video. The CMOS imager isn't read out in its entirety, only a certain number of lines is read out and then converted into 1080p. It's not true, clean 1080p footage because it doesn't always work out perfectly mathematically when skipping those lines. That's why the image is not sharp, crystal clear 1080p and that's why the moire and aliasing problems occur. Sony didn't have to do this; the Panasonic GH2/GH3 for instance utilizes ALL the lines and then sub-samples down to 1080 in a process called binning, which is essentially pixel averaging. The Canon 5D Mark III eliminated most of the aliasing by using a 5760x3240 sensor that works out better mathematically as a 3:1 ratio -- but Sony didn't do this either. They simply took the 24mp sensor from the A99 and stuck it in a camcorder body with poorly implemented line-skipping. What's more, low light performance takes a hit as the sensor is collecting significantly less light information than it is capable of.

    So Sony gives us this full-frame sensor camcorder, and then only samples a fraction of the pixels on it! What a waste. You only get to sample all the pixels if you take a still photo. Sure, the photos come out great, but this is a camcorder and very clunky to use for stills. While this is hardly a convenient form factor for stills photography, I have used it that way with rangefinder lenses. You can use Leica M or Voigtlander rangefinder lenses to take great 24mp photos for a fraction of the cost of a Leica M9, but it looks and feels weird doing it... just get an A7 if that is your goal.

    I'm purposely being harsh with my two star rating on this camera to send a message to Sony to wake up and FIX THIS moire issue. In many situations, such as when shooting in nature or shooting a model or actor with a soft background, the moire and aliasing may not rear its ugly head. But if you want to shoot any type of city scene with buildings, brick walls, wood grain, repetitive patterns on clothing or upholstery fabric, or and other scenes with straight lines, this is going to be a definite problem that is not removable in post. I think Sony cut corners to rush this camcorder out the door.

    Is Sony marketing this to consumers or professionals? If it's a consumer camcorder then Sony should provide at least one full-frame auto-focus motorized zoom lens. If this is supposed to be for professionals then the image quality falls short. As it is, this is neither, because no consumer wants to focus a camcorder manually all the time, and no pro will accept the aliasing and soft image. This was a fantastic idea and I wanted so much to love it. I do like the form factor a lot and the big sensor "look" of the footage has so much potential, but I think Sony rushed this out of the gate without optimizing the sensor for what is was made for (video) and instead kluged a still photography sensor into a camcorder body. Unlike the FS100 which was designed from the ground up as a camcorder this was not and it's a huge disappointment.
    94 people found this helpful
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    Reviewed in the United States on October 25, 2013
    I enjoyed shooting but this camera. My one minor quibble is that there is some moire distortion on very fine diagonal lines, a result of the antialiasing built in to the camera. This was really only noticeable on stationary shots, and mostly by me during editing. I was able to remove any annoyances in postproduction.
    One person found this helpful
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    Reviewed in the United States on August 12, 2014
    After reading Gary Vaynerchuck's book, "Jab, Jab, Jab, Right Hook: How to Tell Your Story in a Noisy Social World " (on my kindle) we hired 3 interns to do some YouTube video and the camera work was done with two Sony NEXVG900 Cameras.

    Their results are here: https://www.youtube.com/channel/UCvg7wfzKtrpjYghaz_LKZrg
    Reviewed in the United States on May 7, 2018
    Just like New. It's nice. I wanted a full frame camera and I'm using it with a rig and manual lenses. So I have no idea if or how it works with any auto lenses
    Reviewed in the United States on August 5, 2015
    It's not a fully professional system but it's the best light weight full frame handycam you will find that takes great photos too.